It is the summer of 1943. After catastrophic defeat in the Battle of Stalingrad, Nazi Germany’s legions are retreating before the Red Army. That’s the backdrop to the German – and Amazon–produced–movie “Der Tiger” (English title: “The Tank”). Officially billed as an antiwar movie, “The Tank” is anything but. Yet the fact that it is really about five tough men on a lonely commando mission is trivial.
For, just like “The Tank,” most so-called “antiwar” movies are, in reality, war movies, fascinating their Homo sapiens primate audiences with the action, suspense, and drama of fighting, while inviting identification with at least some of those who do that fighting, be they cast as heroes or anti-heroes. Consider, for instance, the American films “Platoon” and “Full Metal Jacket” (both set it Vietnam) or the Russian “9th Company” (set in Afghanistan). Indeed, it is hard to think of any genuine and consistent anti-war movies. Two that probably qualify are the American “Paths of Glory” (World War One on what the Germans called the Western Front) and the Soviet “Come and See” (World War Two on what the next generation of Germans called the Eastern Front).
“The Tank” certainly has heroes, and they form a classical “band of brothers,” Hollywood-style. There is the brave stoic (the commander) with ice in his veins but a humane, even self-sacrificing side reserved for his men, the intellectual and – mild – doubter (in civilian life a teacher of Latin with eternal-student glasses), the urban proletarian (the cursing driver, speaking not with a New York accent but in the demotic Berlin version of German), the man from the country (just not Kentucky or Alabama, but the Austrian Wachau and its vineyards), and, of course, the youngster, innocent, frightened, but, ultimately, up to a – German – man’s job (removing a booby-trapped tank mine).
At the end of the movie (spoiler alert), it is true, the fantastically implausible story of the men in the tank on their way to their own heart of darkness on the “Ostfront” has an unsurprising twist: “The Tank” is really a “Schauergeschichte,” a tale of sublime dread, a sort of “Erlkönig with Tanks” or “Sleepy Hollow and Nazis.” The crew’s militarily bizarre special mission is not, it turns out, real but a near-death experience or vision – think “Jacob’s Ladder” (1990) – confronting the commander with his responsibility for burning to death women and children in Stalingrad. The gray zone crossed by the “Tiger” to retrieve a mysterious and inexplicably important German officer holed up in a remote bunker – think Colonel Kurtz from “Apocalypse Now” (1979) – turns into …
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I am too faint-hearted to read the whole article. It makes me ill. Sorry. I would if I could. My generation grew up in the aftermath of WWII and I used to think we'd had enough of that ugliest of stupidities. That we'd never see war again. If only our history teachers had told us that war is there to stay until we are wiped off the planet altogether. For the simple reason that the moneyed and the powerful ENJOY war. I would have been much better prepared for life. But they didn't tell us. Perhaps they didn't know. Most likely our history teachers were in the game themselves, without even knowing that much.
For all that, Tarik, I greatly enjoyed your contribution to Syriana Analysis last Friday.
No Man's Land which was set amidst the Bosnian war was an effective Anti-War film that also effectively panned the "peacekeeping" industrial complex. Although I generally agree with the claim